明代散曲家梁辰鱼创作了著名的传奇《浣纱记》。在结构上,它以吴越历史兴亡为主线,以范施爱情为支线;在人物塑造上,它以塑造历史群象为目的,几位主要人物的用力较为平均;在语言风格上,它兼有多种风格特征,决不仅仅是“雪艳词”。探讨以上问题,可以进一步发掘《浣纱记》的艺术内涵,纠正前人对该剧的一些误读,也可藉此对该剧在文学史、戏剧史上的地位作出新评价。 Liang Chenyu Sanqu composer Ming Dynasty, the famous legend “Huan yarn mind.” In terms of structure, it takes the rise and fall of Wu and Yue as the main line and regards love and affection as the main line. In terms of figure building, it aims to create the historical group image with more average force of several main characters. In language style, A variety of style features, by no means just “Snow Yan words.” Explore the above issues, we can further explore the artistic connotation of “Huan Sha Ji” to correct some misunderstandings of the play, but also to make a new evaluation of the play’s position in the history of literature and drama.