溯本求源,我们可以发现,“西画东渐”这一裹挟于“西风东渐”思潮中的艺术支流,最初端绪起源于明朝末年。大量史实证明,早在明万历年间,“西画”便开始通过西方人士(主要是传教士)“东渐”来到中国,如天主教神父利马窦携圣母像来到中国,中国的人物画便以曾鲸为代表发生了一定变化。特别是在以后的清代,宫廷绘画更是因为“西画东渐”而产生了巨大变 Looking back from this source, we can find that the art tributary in the ideological trend of “westerly eastward” has its roots in the Ming dynasty. A large number of historical facts prove that as early as the Wanli reign, Western painting began to come to China through Westerners (mainly missionaries) and Eastward Leap, as the Roman Catholic priest, Ricci, brought Madonna to China, China Of the portraits have taken place as a representative of the whale has undergone some changes. Especially in the later Qing Dynasty, court painting was even more drastic because of “western painting eastward”