进入21世纪,中国画仍然继续着自身的繁荣,不见颓势。在这里,一切都看似恒定而有序:学术价值、社会地位、市场定位等。新世纪的人们更加关注生态问题,追求健康的生活理念,那么已经在中华大地扎根上千年的中国画,是否也拥有一个健康合理的生态环境以持续发展呢?比如这次我们讨论的话题,文化产业资本对青年画家的短期炒作究竟是否符合健康的可持续的发展规则,就是其中的关键问题。乍听之下,我们会难以理解,甚至略带鄙夷,难道年年走高的当代艺术拍卖市场或火爆的各大展览现场还不能证明中国画正 Into the 21st century, Chinese painting continues its own prosperity, but not decline. Here, everything seems to be constant and orderly: academic value, social status, market positioning and so on. In the new century, people pay more attention to ecological problems and pursue healthy life philosophy. So are Chinese paintings that have taken root in China for thousands of years and have a healthy and reasonable ecological environment for sustainable development? For example, the topic we are discussing this time is cultural industries Whether the short-term speculation of capital on young painters meets the healthy and sustainable development rules is one of the key issues. At first glance, we will be hard to understand, even slightly contemptuous, is it that year after year rising contemporary art auction market or the hot exhibition site can not prove that Chinese painting is