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南方大多少数民族没有自己的文字,其文化符号多渗透于独具特色的传统技艺及其图形中。由于自然生态环境和文化生态环境的逐渐改变,很多传统技艺濒临失传或面临生存危机,白裤瑶粘膏画便是其典型代表。本文在田野调查的基础上,对白裤瑶粘膏画工具的制作与材料、工艺流程等进行了记录和整理,分析以刀为笔的白裤瑶粘膏画特有的绘制特点和造型特点,并就其传承现状提出一些思考,以期对传承传统技艺文化与民族特色文化提供翔实的文献数据支持和一定的学术参考。
Most ethnic minorities in southern China do not have their own words, and their cultural symbols permeate unique traditional techniques and their graphics. Due to the gradual change of natural environment and cultural environment, many traditional techniques are on the verge of disappearing or facing the crisis of survival. The painting of Baiku Yao adhesive plaster is its typical representative. Based on the field investigation, this paper records and organizes the production, material and technological process of Baiku Yao adhesive painting tools, and analyzes the unique drawing and modeling features of Baiku Yao adhesive paste with a knife Put forward some thoughts on the status quo of its inheritance, with a view to providing detailed literature data support and some academic references for inheriting the traditional arts and culture and national characteristics culture.