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常常有人感慨,当代的文学批评江河日下,大部分批评已沦为出版市场的附庸,还有一部分是自说自话,固步自封。甚至有人直言,文学批评已死。当下的文学批评到底有几副面孔、几种范式?或
It is often felt that most contemporary criticism has become the vassal of the publishing market under the background of contemporary literary criticism. Others are self-reliant and self-reliant. Some even bluntly, literary criticism is dead. What kinds of faces do the contemporary literary criticism have?