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鲍蔼伦在《大运动》(1993-1995/2016重制)这件影像作品中引用了茱莉亚·克莉丝蒂娃关于“贱弃现象”(Abjection)的注解,她将这种无法与主体切割的自主性过程,视觉化呈现于作品中不断闪回的舞者和灯塔形象。静默于海洋中,闪烁着微弱却明确的信号的灯塔,似乎也暗示了香港录像艺术30年的发展,以及“录映太奇”的机构实践中主体意识的构建过程。“没有先例”既是对香港录像艺术、新
Aberdeen quoted Julia Cristiva’s comment on “Abjection,” in her video “The Great Movements” (1993-1995 / 2016 remake). She ignored this The autonomous process of cutting with the subject visualizes the dancer and lighthouse image that flashes back into the work. The lighthouse, which is silenced in the ocean with a faint but clear signal, seems to imply the development of the 30 years of video art in Hong Kong and the process of constructing the subjective consciousness in the institutional practice of “Recording Tai Chi”. “No precedent ” is both a new art of video recording in Hong Kong