老子的宇宙论是宏观探道,微观察世,即从宇宙观落到人生,再落到政治和伦理。表面上看,似乎他的思想与艺术毫无牵扯,殊不知就是这位老人力倡的“虚”“空”理念在中国古代图案构成中占了很重要的地位。对中国图案构成艺术的时空观念、思维方式、审美特征乃至于艺术风范都产生了极为长远的影响。 Lao Tzu’s cosmology is a macroscopic exploration, microscopic looking at the world, that is, from the concept of the universe fell to life, and then fell to politics and ethics. On the surface, it seems that there is no connection between his thoughts and art. Everyone knows that the concept of “emptiness” and “emptiness” advocated by the old man has played a very important role in the composition of ancient Chinese patterns. It has a very long-term impact on the concept of time and space, the way of thinking, the aesthetic features and even the artistic style of Chinese art.