“因迹生象”在杨珺的《影》系列中再次得到了清晰地呈现,通过绘画过程中墨迹的不断叠加、整合,进而达到“以形写神”的情境。都市女性怅然的眼神强化了画家对人物精神状态的驾驭,优雅的姿态则拉近了画中人和现实生活的距离,杨珺用淡淡的墨影语汇导演着都市女性的梦想和现实,给 “Because of the Trace Phenomenon” has once again been clearly presented in Yang Jun’s “Shadow” series. Through the continuous superimposition and integration of ink in the painting process, the situation of “writing God” is reached. The sense of loss of urban women strengthens the painter’s control over the mental state of the characters. The graceful attitude brings closer the distance between the artist and the real life. Yang Jun directs the dreams and reality of urban women with a touch of ink language,