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中国苗族的传统服饰文化,历史悠久而影响深远,它是中国西南地区瑰丽多样的少数民族服饰文化中最具有代表性的一个分支。苗族传统刺绣是苗族服饰上最主要的表面装饰手段,也是苗族女性文化的代表。苗族姑娘穿着盛装,佩戴银饰,素有“花衣银装赛天仙”的美称。《纺织工业“十三五”发展规划》发布后,中国纺织服装行业正式迈进智能化、数字化的转型当中,迎来了创新速度加快、消费需求多元等新变化。这意味着中国的成衣品牌需要更多的自主设计,需要在技术和产品上进行创新。苗族传统刺绣如何传承和运用,应该怎样进行创新?这是本文主要研究的问题。第一章《前言》从研究背景和现状分析:苗族传统刺绣图案运用到现代女装成衣设计上的目的和意义,采用了文献分析法、图文互证法、田野考察法和实践法。第二章《苗族刺绣概述》对苗族传统刺绣的渊源作了简要的概述。第三章《苗族传统刺绣在现代成衣设计中的运用研究》在盛行不衰的“中国风”背景下,通过对系列女装成衣的设计实践,从图案的溯源到风格特色,从形式感到色彩设计、美学和工艺手段等方面研究论证:苗族传统刺绣在现代女装成衣设计中的传承和运用的必要性和重要性。第四章《总结》对论文的研究进行总结,提出了传承和发展苗族传统刺绣的重要性,中国设计师应当肩负起传承和发展中国传统刺绣工艺的使命。
The Chinese Miao traditional costume culture has a long history and far-reaching influence. It is one of the most representative branches of the magnificent and diverse ethnic minority costumes in Southwest China. Miao traditional embroidery is the most important surface decoration Miao costumes, but also on behalf of the Miao women’s culture. Miao girls dressed in costumes, wearing silverware, known as “flower silver costume fairy ” reputation. After the release of “Textile Industry” and “13th Five-Year Plan”, China’s textile and apparel industry has officially entered the transformation of intelligence and digitization, embracing new changes such as accelerating innovation and diversified consumer demand. This means that China’s clothing brand needs more self-design, the need for innovation in technology and products. How to inherit and use traditional Miao embroidery, how to innovate? This is the main issue of this paper. The first chapter “foreword” from the research background and analysis of the status quo: the purpose and significance of Miao traditional embroidery patterns applied to the design of modern women’s clothing, the use of the literature analysis method, mutual proof of graphics, fieldwork and practice law. The second chapter “Miao embroidery overview” on the origin of Miao traditional embroidery made a brief overview. The third chapter, “Miao traditional embroidery in the modern design of clothing design” in the prevailing “China style ” background, through the series of women’s clothing design practice, traceability from the pattern to the style characteristics, from the form of feeling Color design, aesthetics and craft measures. The necessity and importance of Miao traditional embroidery inheritance and application in the modern women’s clothing design. The fourth chapter “summary” summarizes the research of the thesis, and puts forward the importance of inheriting and developing Miao traditional embroidery. Chinese designers should shoulder the mission of inheriting and developing Chinese traditional embroidery craft.