诸多学习声乐的人,往往会遇到这样一个费解的现象:当把自己的声音录下来后,再细听时,却惊讶地发现这不像自己的歌声——或自认为是民嗓的,似乎变成了童声;或自认为是美声的,似乎变成了民嗓;或自认为音质宽厚、圆润的,似乎变得单薄而生硬;或自认为音色甜美、柔媚的,似乎变得刺耳而干瘪。总之,无论如何“审听”,皆不像是自己在歌唱时的“听觉”所认可的声音。那么,其原因何在呢?是否录音机、磁带、话筒、空间或其他外界原因所造成的?其实,这正是声乐上“内心听觉”的误差规律在起作用。事实上,声乐实践中有大量的此类情况存在,它使一些歌唱者总是达不到老师、评委提出的声音要明亮而圆润、结实而流畅的要求,造成对自己的歌唱效果未能真切了解把握。因此,对歌唱者来说,搞清“内心听觉”不仅是十分重要的,而且是非常必须的。 本文从声乐理论及教学的角度,试论有关“内心听觉”的基本含义、教学方法、实践要领、声乐功效等问题,旨在结合笔者的一得之见, Many people who learn vocal music often encounter such a puzzling phenomenon: when they record their voices, and then listen carefully, they are surprised to find that unlike their singing - or consider themselves to be the voice of the people, Seems to have become a childish voice, or as if he is a beautiful voice, seems to have become a voice of the public, or as if the sound is generous and rounded, seems thin and stiff, or as if the sound is sweet and tender and seems to be jarring shriveled. In short, no matter what “audition”, are not like their own singing “auditory” recognized sound. So what is the reason for this? Is it caused by tape recorders, tapes, microphones, space or other external causes? Actually, this is exactly the law of error of “inner hearing” in vocal music. In fact, there are a large number of such situations in vocal music practice, which make some singers always fail to reach the teacher. The judges’ voices should be bright and mellow, strong and smooth, resulting in unsatisfactory effect on their singing Understand and grasp. Therefore, for the singer, to find out the “inner hearing” is not only very important, but also very necessary. This essay tries to discuss the basic meaning of “inner hearing”, teaching methods, practice essentials, vocal music efficacy and so on from the vocal music theory and teaching point of view,