元朝建立后,取消了科举制度,一代文人失去了入仕之阶,成了“有闲”之人,处境相当卑贱,在朝者备受猜疑和排挤,在野者身怀亡国之恨,寄情山水,乘物游心。主张“出世”的道家思想成为文人阶层超越苦闷人生,重返自然的慈航,手中的画笔也就成了他们寄寓理想,融情自然的致趣,于是以尚意为特征的文人画得到了前所未有的蓬勃发展。文章从元代文人画风格转变的特殊背景入手,对道家思想在元代文人画发展中的重要作用,以及元代文人画所呈现的时代风貌进行了分析探讨。 After the establishment of the Yuan Dynasty, the abolition of the imperial examination system was abolished. One generation of literati lost the order of becoming a government official and became a man of “leisure time.” He was in such a humble situation that he was greatly suspicious of the North Koreans and crowded out, Sentimental landscape, travel by heart. The proposition that the Taoist ideology of “born” has become the mercy of the literati beyond pessimism and return to nature, the brushes in the hands of the literati will also become their ideal of flirting with nature and merging nature, so the literati painting Got an unprecedented boom. Beginning with the special background of the changing style of scholar painting in the Yuan Dynasty, the article analyzes the important role of Taoism in the development of scholar painting in the Yuan Dynasty and the contemporary style of the scholar painting in the Yuan Dynasty.