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凯瑟琳·安·波特是美国公认的文体家。作为现代派小说的杰出代表,波特敢于打破叙述者对人的内部和外部只能做同步描述的传统全知叙事模式,另辟蹊径,运用独特的叙事策略,尤其是叙事视角的选择和视角越界的运用使她的短篇小说具有了前所未有的立体表现效果。短篇小说《失窃》虽然情节简单却蕴涵了丰富的意义空间。分析《失窃》的叙述视角有助于读者更准确的理解叙事者无言“展示”背后的深层含意。
Catherine Ann Porter is a recognized American style body. As an outstanding representative of modernist novels, Porter dared to break the narrator’s traditional omniscience narrative model that can only be described synchronously both inside and outside of human beings. He also tried to use unique narrative tactics, especially the choice of narrative perspective and cross-border application of perspective So that her short story has an unprecedented three-dimensional performance. Although the short story “stolen” contains a lot of meaningful space. Analyzing the narrative perspective of “theft” can help the reader to understand more accurately the deep meaning behind the narrator’s “display”.