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戏剧太神奇,神奇到“70”后、“90”后的导演们都还活跃在舞台上,他们用最直接外化的手段开启了观众的内观,他们的作品和他们的存在本身都成了风景。剧场也因此变得像个魔盒,无尽地储藏记忆。1.在看陆帕导演的《酗酒者莫非》之前,刻意地屏蔽了所有的评论,只读了史铁生的小说原作,私下里想,给自己一个“史铁生月”吧,重温史铁生的文字。每年的元旦总会因念及史铁生的离世而不免黯然,也曾不止一次地想要再读一遍《务虚笔记》,却总是缺少时间或者勇气。终于看了《酗酒者莫非》在上海的最后一场演
After the drama is amazing and magical, the directors after the “70 ” and “90 ” are still active on the stage. They use the most direct externalization to open the audience’s inner view, their works and their Existence has become a landscape itself. The theater has therefore become like a box of magic, endless storage of memory. 1. Before looking at director Lu Ba’s “alcoholism”, deliberately shielded all the comments, read only Shi Tiesheng’s original novel, privately wanted to give yourself a “Shi Tieshengyue”, review Shi Tiesheng’s Text. New Year’s Day always greets Shi Tiesheng’s death and reiterates that he has repeatedly read the Notes of Service. However, he always lacks time or courage. Finally saw the “alcoholics” in Shanghai’s last show