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石涛认为乾坤之理是山川之质,笔墨之法是山川之饰。质就是造化的自然形态,饰就是艺术的形式美感。中国画的艺术语言以线条作为主要的审美载体,山水画的树木刻画便是最好的体现。树木的结构和仪态神韵原本就是自然界点与线的天然图面,给画家提供了绝佳的创作素材与灵感来源。中国画从一开始就是以线为主的艺术形式,经过世世代代无数艺术家的琢磨与锤炼,其线条质量和用线经验都达到了极高的水平,在世界艺坛独树一帜,享有崇高的声誉。因此,中国画艺术语言是表现树木最好的艺术语言之一。树木的枝条有的苍老、刚劲,有的柔嫩、纤弱,不同的
Shi Tao believes that the universe is the quality of mountains and rivers, the law of the pen and ink is the decoration of mountains and rivers. Quality is the natural form of creation, decoration is the aesthetic form of art. The art language of Chinese painting regards lines as the main aesthetic carrier, and the landscape painting of trees is the best embodiment. The structure of the trees and the righteousness of the state of mind are originally the natural surfaces of the dots and lines in nature, which provide the artist with excellent sources of creative material and inspiration. Chinese painting has been a line-based art form from the very beginning. After years of study and refinement by countless artists from generation to generation, its line quality and line experience have reached a very high level. It is unique in the art world and enjoys a high reputation. Therefore, Chinese painting art language is one of the best art languages in expressing trees. Some old branches of trees, vigorous, and some soft, delicate, different