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重返梁庄是一个特别大的个人行为,实际是你没有办法安顿你自己,要回家去看一看。站在我自己村庄的路口时,我突然发现这是一种心灵的突然打开。你突然看到了亲人的生活,看到了土地、山川、河流和你自己的关系,它们不再是客观的了,而是一个内部的风景。首先要谈一点文学与现实的关系问题,这是一个非常复杂而辩证的关系。文学和现实之间不是一个简单的客观对应,实际上是一个象征层面或者审美层面的关系——文学与现实之间不是一对一的,可能是一对无穷,或者是无穷对一的关系。
Returning to Liangzhuang is a particularly big personal act, in fact, you have no way to settle yourself and go home and have a look. Standing in the intersection of my own village, I suddenly found that this is a sudden opening of the heart. You suddenly see the lives of loved ones, saw the land, mountains, rivers and your own relationship, they are no longer objective, but an interior landscape. We must first talk about the relationship between literature and reality. This is a very complicated and dialectical relationship. Between literature and reality is not a simple objective correspondence, in fact, is a symbolic or aesthetic level of the relationship between literature and reality is not one to one, may be a pair of infinite, or infinite to one relationship.