影视美术设计对于环境的“装饰”,应视为叙述影视故事的一种重要手段,而不应该紧紧是作为装饰品来填补空白。 重要的“装饰”必须以剧中人物的性格和表演的动作、场面调度为依据。 我在一部反映汽车工业的电视剧中,在环境的“装饰”万面做了一点尝试。比如说剧中主要场景“家”。“家”中人物是三代人,祖父是修车,儿子 Film and television art design for the environment, “decoration”, should be described as an important means of film and television story, and should not be as tight as an ornament to fill the gap. The important “decoration” must be based on the characters in the play and the actions and scenes of the performance. In a television series that reflects the automotive industry, I made a few attempts at the “decoration” of the environment. For example, the main scene in the play “home.” “Family” in the three generations of people, grandfather is the car repair, son