本文认为,被作为文艺创作“普遍规律”的“典型”的阐释、运用及其内部结构,存在着很多混乱与矛盾,是一个“抽象概念”,缺少普遍适用性。同时也表明亟需根据形象创造的实际,运用马克思的辩证思维方法进行新的综合,建立一个科学的美学范畴,以统一合理地说明形象创造的固有规律,有力促进文艺科学与文艺创作的纵深发展。 This paper argues that there are many confusions and contradictions in interpreting and using “the typical” “universal law” of literary and artistic creation as well as its internal structure. It is an “abstract concept” and lacks universal applicability. At the same time, it also shows the urgent need to use the method of Marxist dialectical thinking to conduct a new synthesis and establish a scientific aesthetics category according to the reality of image creation. It is necessary to explain the inherent law of image creation in a unified and reasonable manner and effectively promote the further development of literature and art and literary and artistic creation .