20世纪70年代登上俄罗斯文坛的朝鲜族作家阿·金一直被视为俄罗斯文学中东西方文化融合的代表。金是俄罗斯朝鲜族第三代移民,他出生于哈萨克斯坦,成长于库页岛,成名于莫斯科。在他的经历中汇集了哈萨克草原文化、朝鲜族文化和俄罗斯文化三种因素,在其合力作用下,金的世界感受是超越民族归属特性的,走向超越是作家对长期困扰自己的身份焦虑的化解之法。在身份认同的过程中,金经历了长期的困惑和角色认同混乱带来的焦虑,以至于分别面对俄罗斯文化和韩国文化时,均被冠以异国情调,也因此感受到不同文化作用力的夹击带来的双重疏离陌生。在两种冲击力的交互作用下,作家的认同倾向曾经摇摆不定,甚至无所适从。而在走过最初的不适之后,作家冷静地跳出非此即彼的两难选择,以包容性化解认同中的矛盾。在对两种冲击力理性比较过程中,作家提出,影响自己的文化合力中主导者是俄罗斯文化,而自己的更高理想是世界主义。在他的作品中,东方因素多体现为早期短篇小说中的朝鲜族主人公形象及其精神特质,如注重家庭亲情、崇尚善恶有报的思想,相信生死轮回的说法。而俄罗斯文化元素则在其中后期创作中跃居主导地位,尤为突出地体现为他的东正教思想。 Akin, a Korean writer who boarded the Russian literary world in the 1970s, has long been regarded as a representative of the fusion of Eastern and Western cultures in Russian literature. Kim is the third generation of Russian Korean immigrants, he was born in Kazakhstan, grew up in Sakhalin, fame in Moscow. In his experience, it brings together three factors: the Kazakh steppe culture, the Korean culture and the Russian culture. Under the synergy of this action, the feeling of the golden world is beyond the national attributional character. Moving beyond the writer’s anxiety over his long-standing identity Way to resolve. In the process of identity recognition, Kim experienced long-term confusion and anxiety caused by confusion of role identification, so that when confronted with Russian culture and Korean culture, both of whom were exposed to exotic situations and felt different cultural forces Poke brought double alienation strange. In the interaction of the two kinds of impact, the author’s identity tendency has been wavering, even at a loss. After passing through the initial discomfort, the writer calmly jumps out of one or other dilemma, in an attempt to inclusively resolve the contradictions in identification. During the rational comparison of the two kinds of impact, the writer proposed that the dominant force in the cultural cooperation that affects oneself is Russian culture, while his own higher ideal is cosmopolitanism. In his works, the oriental factors mostly embody the image of the heroine of the Korean ethnic group in his early short stories and his spiritual traits, such as paying attention to the family relations, advocating the idea of ​​good and evil, and believing in the reincarnation of life and death. The Russian cultural elements in which the latter part of the creative leapt to dominate, particularly highlighted as his Orthodox ideology.