新兴剧种,一般指建国后(多数创建于上世纪50年代,少数建立于80年代)由各地政府和文化主管部门主持和参与建立的地方戏曲种类。为区别古老、自然形成的传统剧种,一般俗称新剧种(有的称“人为剧种”)。据不完全统计,大约有四十种之多。依据其与母体艺术的关系及生成特征,大致有三种类型:一种是母体尚未经过艺术上量的累积(量变到质变,而形成新的戏曲剧种)。其新的剧种产生,带有某种“人为”因素;另一种是母体艺术过渡到戏曲的条件 Emerging genres generally refer to the types of local opera established and chaired by local governments and cultural authorities after the founding of the People’s Republic of China (most were founded in the 1950s and the minority was founded in the 1980s). To distinguish the ancient, the formation of the traditional drama, commonly known as the new drama (some say “man-made drama ”). According to incomplete statistics, there are about forty kinds. There are roughly three types according to its relationship with the matrimonial art and its generative features. One is that the mother has not yet accumulated the amount of art (the quantity has changed into a qualitative change, but a new opera genre has been formed). Its new genre is produced with some kind of “human factor”; the other is the condition of transition from maternal art to drama