论外部性格化斯坦尼斯拉夫斯基在我们这次的工作中,没有放过演员技术的任何一个元素。如果说,第一个工作阶段他把全部注意力完全集中在形体动作上,那么,在以后的工作中,他也同样仔细、同样顽强地磨练着舞台动作的另一些组成要素——言语、节奏、思想、视象、诗句的读法等等。一切都在不同的时间和不同的阶段上受到康士坦丁·塞尔格耶维奇的注意,一切都包括在我们的练习范围之内。 On the external characterization Stanislavsky in our work, did not miss any of the elements of the actor’s technology. If, in the first stage of work, he devoted his full attention to physical movements, then in the course of his later work, he was equally careful and equally tenacious to hone other elements of the stage movement - speech, Rhythm, thought, video, verse reading and so on. Everything is under the constant attention of Constantine Sergievitch at various times and stages, and everything is included in our practice.