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《打擂台》、《大蓝湖》、《东风破》这三部电影均出自香港青年电影创作者之手,电影以香港新一代青年人为主体,表达追寻自我身份与确认的新回归主题。与前一代的怀旧电影相比,新回归主题电影通过回归之因、回归之途、仪式确认、回归之果这一叙事序列道出青年人归属感的缺失与呼唤回归的冲动,在形式和内容上探索时代感与本土性的体现,渔村旧墟与乡郊武馆作为回归的空间象征,在寻找的体验中逐渐建立新的主体身份,最终实现对精神家园的归属,同时也折射了香港新一代的电影导演对于自我身份的思考和反省。
Three films, “The Ring”, “Big Blue Lake” and “Dongfeng Broken”, are all produced by Hong Kong young filmmakers. The film, based on a new generation of young people in Hong Kong, expresses new themes of return to pursuing self-identity and recognition. Compared with the nostalgia movies of the previous generation, the new return to thematic film shows the absence of the sense of belonging of young people and the urge to return by the reason of return, the way of return, the confirmation of ritual and the result of return. In terms of form and content To explore the sense of the times and the local embodiment of the old village fishing village and the rural martial arts as a return to the spatial symbol of the search experience in the gradual establishment of a new subjective identity and ultimately the ownership of the spiritual home, but also reflects the new Hong Kong A generation of film directors think and reflect on self-identity.