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20世纪是一个学术多元化的时代,也是学术研究从传统到现代的转型时期。20世纪戏曲学是现代学术研究中一个十分引人注目的领域,其鲜明的学术特征与丰硕的学术成果,已为学界所公认。学术多元化如何影响着现代戏曲学的发展轨迹?20世纪戏曲研究的格局有何特点?如何寻找戏曲研究领域中新的学术生长点?未来戏曲研究的趋势如何?这些问题值得深入思考与探讨。为此,我们邀请了几位近年来国内这一研究领域中较为活跃的学者,就这一话题发表自己的看法。
The twentieth century is an era of academic pluralism and also a period of transition from academic tradition to modernity. 20th century opera studies is a very attractive field in modern academic research. Its distinctive academic features and rich academic achievements have been recognized by the academic circles. How does academic diversification affect the development of modern opera theory? What are the characteristics of the pattern of drama research in the 20th century? How to find new academic growth points in the field of opera research? What are the future trends in the study of opera? These questions deserve deep consideration and discussion. To this end, we have invited some of the more active scholars in this field of China in recent years to express their views on this topic.