以马拉默德小说《伙计》中男主人公弗兰克为个案研究对象,从拉康镜像阶段理论中主体理想自我及自我与他者的关系来解析弗兰克寻找自我的心路历程。从而提示出“他者”在自我发展中不可忽视的作用。 Taking Frank, the male protagonist in Maladom’s novels, as a case study object, Frank’s analysis of the mentality of Frank’s self-seeking from the perspective of the subject’s ideal self and his relationship with the other in his mirror stage theory. Thus it is suggested that the “other” can not be ignored in self-development.