“总要立足在中国的土地上”,这是老雕塑家郑于鹤在回忆他的一生,以及他如何看待自己的艺术取向时所表明的态度——这何尝又不是当代中国艺术家所应该守护的态度呢?时值壮年的范华,也正是以他在中国画上的实践和对大美无言的追求来坚持了这样的态度。本期[现象]栏目,我们请庾凯针对中国当前的摄影艺术,访问了几位活动积极的年轻摄影家,并将她的所见所闻和所思所言呈现给大家。在她的字里行间,我们能够比较真切地察觉到,今天的艺术家在使用摄影方式进行创作时,从观念到技术,从认识到感受,从工作状态到生活状态……都存在着令他们百思而力求其解的许多问题。 “Always based on China’s land,” is the attitude of the old sculptor Zheng Yuhe as he recalled his life and how he viewed his own artistic orientation - not the attitude Chinese contemporary artists should defend It is precisely because of his practice in Chinese painting and his quest for the beauty of the United States to persist in such an attitude. In this issue of [Phenomenon], we asked Kai to interview several young and active photographers who are currently working on photography in China and present what she saw, heard and said. In her lines, we can quite clearly perceive that today’s artists have a lot to think about when they use photographic methods of creation, from concept to technology, from cognition to feeling, from working condition to living condition ... Many questions are sought