曹雪芹创作《红楼梦》,在艺术形式与内容的各个方面,都极其广泛地汲取、借鉴中国古代文学家的艺术经验。这种借鉴,大多数是综合性的,如水化于盐,不能分辨,但也有一些有形迹可辨的。笔者近阅韩愈的《石鼎联句》诗及序,联想到《红楼梦》第七十六回中“凹晶馆联诗”的情节,发现极 Cao Xueqin’s creation of A Dream of Red Mansions draws extremely extensively in all aspects of the form and content of art, learning from the artistic experience of ancient Chinese writers. Most of this reference is comprehensive, such as hydration in salt, can not distinguish, but there are some visible and traceable. The author recently read Han Yu’s “Shi Dinglian sentence” poetry and sequence, think of the “Dream of Red Mansions,” the seventy-sixth back in the “concave crystal Pavilion poem” plot, found that very