前言杨宝琛,是我最钦佩的黑土剧作家之一。最初,我是在20世纪80年代一次“东北地区话剧观摩研讨会”上知道杨宝琛的名字。那时他是刚刚调入鸡西市剧目工作室从事专业创作不久,还没有后来的成就;又因为会议时间仅为两天,主要是观摩演出,因此也仅是知道而已。20世纪90年代初,我参加黑龙江省剧目工作室在镜泊湖组织的剧本研讨会,再次见到杨宝琛并读到他的新作《大青山》,令我对他肃然起敬。他的新作 Foreword Yang Baochen, one of the black adolescent dramas I admire most. At first, I knew the name of Yang Baochen once during the 1980s Symposium on Drama Viewing in Northeast China. At that time, he had just transferred to Jixi Repertory Studio to engage in professional creation soon, there is no later achievements; and because the meeting time is only two days, mainly to observe the performance, it is only know it. In the early 1990s, I participated in a script seminar organized by the Repertory Studio of Heilongjiang Province at Jingpo Lake. Once again, I met Yang Baochen and read his new book Daqingshan. His new work