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民族国家叙事,作为现代性的表征之一,在中国现代小说发展中,存在两次转型与三种形态。一次发生在建国前后,是将他者的焦虑,转化为建国神话;第二次,则发生在新时期文学,将阶级化的建国神话,分化为现代强国梦的国家史诗和民族文化史诗,并共同构建有关“文化复兴的现代中国”的民族国家想象。然而,由于特殊的杂糅品质,这种构建也存在着巨大危机和整合的困境,特别是宏大性对个体性的压抑。
As one of the characteristics of modernity, narrative of nation-state has two transformations and three forms in the development of modern Chinese novels. Once occurred before and after the founding of the People’s Republic, the anxiety of the other person was transformed into the myth of founding a nation. Second, it occurred in the literature of the new era, dividing the class-established mythology of the founding of the nation into a national epic and a cultural epic of modern national power. To jointly construct an imagination of the nation-state on the “modern China” of “cultural rejuvenation.” However, due to the special hybrid quality, there is also a huge crisis in this kind of construction and the dilemma of consolidation, especially the suppression of individuality by grandness.