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话剧艺术继续在艰难中徘徊:多年不见优秀原创剧本、表演人才大量流失、观众反映冷淡、话剧批评失语今年是中国话剧艺术诞生100年,但在各式纪念活动背后,整个话剧界却弥漫着一种“普遍的焦虑情绪”。“如何满足观众的多元文化需求?面对必须走向市场的文化现实,如何坚守话剧的文化品格和健康审美?”在纪念话剧100年学术研讨会开幕式上,著名话剧导演艺术家徐晓钟在主题发言中表示,这是他和许多话剧工作者都在“焦虑地”深思的一个焦点问题。当《瞭望》新闻周刊记者与《剧本》杂志主编温大勇谈及徐晓钟的发言时,他表示,“不仅是现在,话剧都焦虑了20年了。”
The art of drama continues to wander through hardships: For many years, there have been no outstanding original plays, a great loss of performing talents, a cold of the audience, and a criticism of the drama aphasia. This year was born 100 years after the birth of Chinese drama, but behind all kinds of commemorative activities, The kind of “common anxiety.” “How to meet the diverse cultural needs of the audience? Facing the cultural reality that must go to the market, how to stick to the drama’s cultural character and healthy aesthetic?” At the opening ceremony of the 100th Symposium on Theater, the famous director of theater drama Xu Xiaozhong made a keynote speech Said it was a major issue he and many other theater workers were “anxiously” thinking about. When Outlook Newsweek correspondents talked with Xu Daoxong, editor in chief of the “Script” magazine, about Xu’s speech, he said: “It is not only now that drama has been anxious for 20 years.”