帕特里克·怀特在1973年出版的为其赢得诺贝尔文学奖的第三人称视角的小说《曼陀罗》,故事发生在撒哈拉,靠近澳大利亚悉尼的地方,他讲述了一个未结婚的双胞胎兄弟金都和阿瑟·布朗,他们的生活从未被分离过。所有的焦聚和格调都对接下来第两、第三章中产生强烈的对比,第二章通过“金都”来聚焦讲述,第三章由亚瑟聚焦讲述,第四章用则用三个讲述者来对文章做结尾,感受和领悟随着不同的角色各自倾向的不同而变化。本文将将从多重焦点的角度出发,尝试着将叙述者的讽刺倾向当做叙述者聚焦的案例来对其进行聚焦分析。 The novel Mandala, which was published by Patrick White in 1973 for her third person to win the Nobel Prize for Literature, takes place in the Sahara near Sydney, Australia, where he tells of an unmarried twin brother, Arthur Brown, their lives have never been separated. All the cohesion and style are followed by a strong contrast in the second and third chapters, the second chapter through the “Jindu ” to focus on the narrative, the third chapter by Arthur focused on the fourth chapter is used Three narrators come to the conclusion of the article, feeling and comprehension vary with the different tendencies of different roles. This article will focus on the multi-focal point of view, trying to focus on the narrator’s satirical tendency as narrator focus case.