娄烨在同时代的电影人中间,总以一种静默的姿态隐匿在后。许多书中提及第六代导演,也不见他被单独拿出来分析,在众多的名字当中不前不后的挤在里面,只为说明有这样一位导演,他的作品颇有些名气,但却不被允许。他生于一九六五年,十年文革伴随着他的童年时代,改革开放以后,眼前的世界一下子驶离了狭窄的航道,突然开始变得辽阔起来,西方印象派、后期印象派、六十年代法国电影、日本电影以及六十和七十年代新浪潮的电 Lou Ye in the middle of the filmmaker in the future, always hidden in a silent attitude behind. Many of the books mention the sixth generation of directors, nor did he see him alone to analyze, crowded out among the numerous names in the back, just to illustrate such a director, his work quite some reputation, but But not allowed. He was born in 1965. Ten years after the Cultural Revolution accompanied his childhood, after the reform and opening up, the immediate world suddenly left the narrow fairway and suddenly began to become vast. The Western Impressionists, Late Impressionists, French films of the era, Japanese films, and the new waves of the 1960s and 1970s