“生活之树常青,而理论往往是灰色的。”歌德这句话道出了一个颠扑不破的真理,那就是:任何理论,包括文艺学、美学在内,如果只是满足于自身体系的建构和圆恰,而不关心现实生活的变化,其结果只能流于灰色和凋谢。正是基于这一点,我非常赞同张未民先生提出的“新世纪中国文艺学美学范式的生活论转向”(《想起一些与‘生活’有关的短语和诗句》,《文艺争鸣》2010年第3期)的主张。 “The tree of life is evergreen, and the theory is often gray. ” Goethe made one of the most irrefutable truths: any theory, including literature and art, aesthetics, if only satisfied with its own system Construction and round just, without concern for the changes in real life, the result can only be gray and withered. It is for this reason that I very much agree with Mr. Zhang Weimin’s proposal of “turning life on the aesthetic paradigms of Chinese literary aesthetics in the new century.” (“Reminiscing Some Phrases and Verses Related to Life,” “Literary Debate,” 2010, 3 period) of the claim.