“百花时期”是整个十七年严酷政治环境中的一次短暂松动,集中涌现出一批涉禁的爱情婚恋题材小说。《在悬崖上》中的加丽亚和《美丽》中的季玉洁是邓友梅和丰村塑造的两个截然相反的女性形象。从叙事学的角度来看,其中都出现了作者的主观叙事意图和客观叙事效果相背离的现象,从文本内部的裂缝和张力中我们能够解读出阶级观念隐藏下的强烈女性意识。 “Blossom Period ” is a brief loosening of the entire 17 years of harsh political environment, focused on the emergence of a number of incarcerated love and marriage novels. Ji Liya on Cliffs and Ji Yujie in “The Beauty” are two diametrically opposed female figures shaped by Deng Youmei and Feng Fumura. From the perspective of narratology, there appears the phenomenon that the author’s subjective narrative intention deviates from the objective narrative effect. From the internal cracks and tensions, we can interpret the strong female consciousness hidden under the class concept.