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文学名著以其超越时空的震撼,为人类社会创造了无价的瑰宝,优秀的改编电影更是奇葩一朵,《法国中尉的女人》便是其中一支。文章运用萨特存在主义与后现代文化逻辑这两个理论分析了电影对经典文学作品的改编法则。
Literature masterpiece with its shock beyond time and space for human society has created an invaluable gem, excellent adaptation of the film is a wonderful work, “French lieutenant woman” is one of them. The article uses the theories of Sartre existentialism and postmodernist cultural logic to analyze the film adaptation law of classic literary works.