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利维斯等人认为,《弗洛斯河磨坊》中麦琪与斯蒂芬的感情及河水泛滥的结局是乔治·爱略特的一大败笔。但从这一情节的深厚广阔的意义空间中,我们不难理解,汤姆表征着工业化背景下的组织调控文化,麦琪表征着个性自由文化。兄妹之间的冲突表征了工业化文化两面性的矛盾。麦琪与斯蒂芬的感情,最后的河水泛滥,都不是败笔,它表征了工业化文化矛盾。从这个意义上看,麦琪与斯蒂芬的感情以及河水泛滥的描写,是一种伟大的艺术体现。伟大之处就在于它提供了极为广阔的意义空间。
Leavis et al. Argue that the fate of Maggie and Stephen in the Floss Creek Mills and the flood of waters are a great defeat by George Eliot. However, from the deep and broad sense of space of this episode, we can easily understand that Tom symbolizes the organizational regulation and control culture in the context of industrialization, and Maggie represents the culture of individuality and freedom. The conflict between siblings characterizes the contradiction between the two sides of an industrialized culture. Maggie and Stephen’s feelings, the last flood, are not a failure, it represents the cultural contradictions of industrialization. In this sense, the description of Maggie’s relationship with Stephen and the flooding of rivers is a great embodiment of art. The great thing about it is that it offers a very broad sense of space.