历史就是这样,距离产生美。有些看上去很美的情境和时代,当你自己置身其中的时候,未必真乐得心里开花。民国,可以捂热,但热得久了,异味啥的也就跟着出来了。乍看到《黄金时代》的宣传,以为是王二和陈清扬当年的风流野战要搬到银幕上现演了。很快就知道这部与王小波小说同名的影片拍的是萧红、萧军等人的多角恋(文艺腔的说法是那一代文学青年的生死歌哭),立即大大失望。片子开播,马上被归类到“民国热”里去,倒也毫不意外。在阶级斗争年代,民国的概念是用蒋光头、杜月笙、徐鹏飞、余永泽、四条汉子、渣滓洞、 History is like that, the distance produces beauty. Some beautiful-looking situations and times may not necessarily blossom into joy when you are inside yourself. Republic of China, you can cover hot, but hot for a long time, peculiar smell also follow out. At first glance to see the “golden age” propaganda, thought it was Wang Er and Chen Ching Young’s Merry field to move to the screen now. Soon to know that this film with the same name as Wang Xiaobo’s film was filmed by Xiao Hong and Xiao Jun, etc. (The literary poem is a cry of life and death of the literary youth of that generation) and was greatly disappointed immediately. The film started broadcasting, immediately classified as “Republic of China hot ” in, it is not surprising. In the era of class struggle, the concept of the Republic of China was to use Jiangguotou, Du Yuesheng, Xu Pengfei, Yu Yongze, four men, Zhazi Cave,