歌剧《屈原》是作曲家施光南根据郭沫若先生的同名话剧改编的大型历史歌剧。在剧中,作曲家赋予了婵娟仅次于主人公屈原的地位,并为她谱写了深情、细腻的唱段。笔者根据剧情的发展和主人公心路历程的发展,把婵娟的唱段概括为了三个时期,即萌芽期、蜕变期与升华期,并针对这三个时期的主要唱段进行了分析,从而进一步剖析出婵娟的艺术形象。 The opera “Qu Yuan” is a large-scale historical opera adapted by composer Shi Guangnan according to the same title by Mr. Guo Moruo. In the play, the composer has given Chan Chan second only to the status of the main character Qu Yuan, and wrote her affectionate, delicate aria. According to the development of the plot and the development of the hero’s mentality, the author summarizes the singing segments of Chanjuan for three periods, that is, budding period, transformation period and sublimation period, and analyzes the main aria of the three periods to further analyze Artistic image.