我画山水时日不长,近两三年才较为系统的学习、写生和创作。我初习山水也曾追逐时风,以放纵的笔墨追求粗头乱服,肤浅地理解中国画的写意精神。随着学习的深入和修养的提高,我开始远离时风,淡泊自守,越来越钟情于古典山水,在解读古典山水中,发现原来被誉为“不求形似”、“聊抒胸中逸气耳”的鼻主倪云林,看似不经意的笔墨中蕴涵着十分抒情 When I painted the landscape not long ago, nearly two or three years before more systematic learning, painting and creation. My first study landscape has also been chasing the wind, indulgent pen and ink to pursue thick suits, superficial understanding of Chinese painting freehand spirit. With the deepening of learning and the improvement of self-cultivation, I began to stay away from the time, indifferent, more and more in love with the classical landscape, in the interpretation of the classical landscape, I found it known as Expressive chest ethereal "nose nose Ni Yunlin, seemingly casual pen and ink contains a very lyrical