水上勉其文学上的要素非常复杂,而流露出的悲怜情怀却是其文学作品里面核心的一点。水上勉早年远离了自己的故乡然后流浪,在若狭的自然环境当中感受着时间和空间的交叠,从而感受到一种悲从中来的主观感受。对于水上勉而言,其关注的仍然是人性里面的怨恨哀婉感情,内心当中的迷惘和阴云也没有消散过。因此,水上勉的作品是混合了日本民族当中特有的悲伤以及其个人特有的迷茫和悲伤,以细微的震颤作为其主要的文学创作基调。 Water Mianqi literature elements are very complex, but the show of compassion is the core of its literary work inside. Mizumizu migrated away from his hometown and wandered in his early years, feeling the overlapping of time and space in the natural environment of Wakasa, thus feeling a subjective feeling of sorrow. For water Mien, its concern is still the resentment of human nature inside the sad feelings, the confusion and dark clouds inside have not dissipated. Therefore, Shui Mian’s work is a mixture of the unique grief and individual confusion and sadness of the Japanese nation, with subtle tremor as its main literary creation tone.