荒诞是用一种高度集中的形式来表现原因和结果的悖逆、愿望与现实的分裂、目的与手段的对立、现象与本质的错位、主体与对象的冲突、个体与群体的疏离。荒诞之于卡夫卡,是将先验的、抽象的哲理思维演绎成感性化的生活形式的手段;荒诞之于宗璞,则完全触发于客观的生活。两位作家的这种双向逆反性视角,使变形这一特殊艺术手段所构成的荒诞意象具有完全不同的内涵。 Absurdity is a manifestation of the causes and consequences of disobedience, the division of desire and reality, the opposition of purpose and means, the dislocation of phenomena and essence, the conflict between subject and object, and the alienation of individuals and groups in a highly concentrated form. Absurdity in Kafka is a means of interpreting the transcendental and abstract philosophical thinking into an emotional form of life. Absurdity in Zong Pu completely triggers an objective life. This two-way reversal perspective of the two writers makes the absurd image formed by the special artistic means of transformation have completely different connotations.