曾经有人把书法称为“线条的艺术”。李燕刚先生认为这说法是很片面的。“线”不能独立存在,而是服从于造型,诸体皆然,尤其是在古文字书法中更是如此。线条的形成主要是用笔,也包含用墨。李燕刚先生的书法颇为讲究用笔的丰富多变,通过笔法的轻重、虚实、强弱、刚柔等变化,使人们感受到一种韵律感和生命力。 Calligraphy was once called “the art of lines.” Mr. Li Yan Gang believes that this view is very one-sided. “Line” can not exist independently, but subject to the shape, all are natural, especially in ancient calligraphy and writing is even more so. The formation of lines is mainly pen, but also contains ink. Mr. Li Yangang's calligraphy is quite stressful about the richness and variety of his pen. Through the changes of the severity, actuality, strength, rigidity and softness of the brushwork, people feel a sense of rhythm and vitality.