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打击乐艺术是我国民族艺术中一种重要的艺术表现形式。随着中西方文化艺术的互通交流,西方现代打击乐艺术形式的融入在很大程度上影响了中国传统打击乐艺术的发展,同时,西洋打击乐在中国的发展又具有典型的中国本土特色。打击乐艺术的表现形式在原有形态的基础之上呈现出多角度、多元化的繁荣趋势。本文以西洋打击乐音乐剧《木兰》为切入点,分析中国现代打击乐作品中的民族化元素,力求寻找新的方法、思路,开拓具有中国民族特色的打击乐发展道路。
Percussion art is one of the most important forms of artistic expression in our national art. With the exchange of Chinese and western culture and art, the integration of Western modern percussion art forms has greatly influenced the development of Chinese traditional percussion art. At the same time, the development of Western percussion in China has typical Chinese characteristics. The form of percussion art presents a multi-angle and diversified prosperity trend on the basis of its original form. Based on the western percussion musical Mulan, this article analyzes the nationalization elements in Chinese modern percussion works, strives to find new ways and ideas, and opens up the way for the development of percussion with Chinese national characteristics.