通过对东北地域中国画色彩构成理论的探讨,得出了以东北地域为题材的中国画创作中,色彩应用要从色彩均衡、色彩呼应、色调与面积三个方面进行协调处理,这种创作色彩的极不稳定性与互相依赖性决定了东北地域中国画色调是取决于色彩之间的相互关系,而不是强调中国画中每种颜色的个别绝对品质。一定要把整个东北地域中国画画面色彩关系归结到色调上来认识,才是提升作品色调的最重要方法。 Through the discussion of the theory of color composition in Chinese painting in Northeast China, it is concluded that in the creation of Chinese painting with the theme of Northeast China, color application should be coordinated from three aspects: color balance, color echo, color tone and area. Instability and interdependence determine that the color tone of Chinese painting in the Northeast depends on the interrelationship of colors rather than on the individual absolute qualities of each color in Chinese painting. We must attach importance to the color tone of the relationship between the colors in the entire Chinese painting scene in Northeast China, which is the most important way to enhance the tone of the work.