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现代性改造问题是20世纪中国文学理论建设和创作实践中始终没有得到很好解决的一个世纪性的核心问题。致思路向的狭隘、研究视角的偏颇和对“现代性”义涵的认知混乱是造成这一问题的重要原因。现代性由纯粹的内容或形式问题转换为基于现代情感的审美问题为20世纪中国文学性质的反思和研判提供了新的价值坐标。在与古典审美理性比较的基础上,构建了基于文学主体情感、文学客体情感和文学本体三要素的现代审美理性框架,以此为指针系统考察和论证了20世纪中国文学古典性、现代性和后现代性美学质素多元并存的复杂性质,着重分析了现代审美理性在20世纪中国文学大系中的地位和处境。
The question of modernity reform is a century-long core issue that has not been well resolved in the construction and practice of Chinese literary theory in the 20th century. The narrow reasoning, the biased view of research and the cognitive disorganization of the meaning of “modernity ” are the important reasons for this problem. The conversion of the modernity from purely content or formal problems to the aesthetic problems based on modern emotions provides new value coordinates for the reflection and judgment of the nature of Chinese literature in the 20th century. Based on the comparison with the classical aesthetic rationality, this paper constructs a modern aesthetic rationality framework based on the three main elements of the main emotion of the literature, the emotion of the object of literature, and the literary noumenon. As a guideline system, this paper examines and argues that the 20th century Chinese literature is both classic and modern The complex nature of the postmodernist aesthetics of the pluralistic coexistence, focusing on the analysis of the status and the position of modern aesthetic rationality in the Chinese literature in the 20th century.