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在纳西东巴文化中黑白虽然性质不同,始终处于对立、对抗的局面,但确是在这种状态中相互依存、可以互相转化达到和谐状态的。这些都源自于纳西东巴文化的后期曾受到汉人道教文化的影响,从中也就不难看出纳西东巴艺术作品中黑白二色的运用与中土道教文化将世界万物的衍生来自一黑一白阴阳两极的异曲同工之妙了。
In the culture of Naxi-Dongba, although the nature of black and white is different, they are always opposed and antagonistic. However, they are interdependent in this state and can be mutually transformed to achieve a harmonious state. All of these originated from the influence of Han Taoist culture in the late Naxi-Dongba culture. From this, it is not hard to see that the use of black and white in Naxi Dongba’s works of art and the Taoism of Middle-earth brought the derivation of all things in the world from a black one The similarities and differences between the white yin and yang poles of the same wonderful.