画以文人名,人自在公设。人文化天工,画人寸心折。文自心中出,天地亦可测。测也不堪测,折也何必折。文心生万象,丹青究玄黄。一画出神去,通情理亦彰。新法复故技,行道当自强。匪为论短长,只莫负春光。霍春阳的花鸟画从很早就名噪四方了。70年代初期,他画的“迎春花”已风靡海内外,后来,天津市出版的中国画刊物命名为《迎春花》当与此不无关联。那时,他年轻且精力旺盛,许多巨大而生机勃勃的作品给花鸟画创作增添了新的活力。但是,他更有一颗纯朴的民族之心,他重视中国画传统,更重视现实生活;干干净净、认认真真去体现当时这颇为时髦的创作思想主题。他善于学习固有的中国画技巧,刻苦训练笔墨功力,并以新鲜活泼的生命感受与激情将这些法式使用得生龙活虎,给人留下了朝气蓬勃的清新感受。即使从现在的眼光看,他的这些作品 Draw literati, people freely public. Human culture heavenly, painterly heart-broken. Since the text out of the heart, heaven and earth can be measured. Measurement is not measured, why fold off. Wen Xinsheng Vientiane, Dan study of mysterious yellow. A show of God, the pass also Yi Chang. The new law complex technology, the road when self-improvement. Bandit on the short length, only Mo negative spring. Huo Chunyang’s bird and flower painting from a very long famous quartet. In the early 1970s, his painting “Spring Flowers” has swept home and abroad. Later, the Chinese painting publication entitled “Spring Flowers” published by Tianjin Municipality was not unrelated to this. At that time, he was young and energetic, and many huge and vigorous works have added new vitality to the creation of flowers and birds. However, he has a more simple national heart. He values ​​traditional Chinese painting and pays more attention to real life. He is a neat and earnest conscientious who embodies the theme of creative thinking that was fashionable at that time. He is good at learning the inherent skills of Chinese painting, painstakingly training his pen and ink skills, and using these fresh and lively life feelings and passion to live these French styles, leaving a fresh and refreshing feeling. Even from the present point of view, these works by him