(1941年生)马其宽中国美术学院教授香港中文大学客座教授马其宽先生的花鸟作品以承接“后浙派”潘天寿、吴茀之、诸乐三、陆维钊、陆抑非诸家水墨写意画风为主脉,尤得诸乐三之森秀持重,又若吴茀之俊逸清健之风骨,其意多于文人画之高格,诗、书、画、印之修为上着力,笔墨苍老生辣,画格谨严质朴,以浓焦墨见长,篆隶入画,浑厚老到,气概豪迈。正如潘天寿 (Born 1941) MA Qi-kuan Professor of China Academy of Art Professor and visiting professor at the Chinese University of Hong Kong Mr MA Qi-kwan’s works of birds and flowers to undertake “after the Zhejiang school” Pan Tianshou, Wu Mi, Zhu Le three, Lu Wei Zhao, , Especially the music of Samson three hold weight, and if Wu Yi’s Chun Yi Qing style, its meaning is more than the literati paintings of high grid, poetry, books, paintings, India’s repair for the pen, ink pen old spicy, painting Lattice rigorous rustic, to focus on dark ink known, Zhuan Li into the painting, vigorous old, elegant heroic. As Pan Tianshou