还记得前些日子读美国历史学家托尼·朱特生前的回忆散文《记忆的小屋》,其中提到一个段子。他带十二岁的儿子去看弗朗索瓦·特吕弗在1959年拍摄的经典影片《四百击》。令他没有想到的是,作为看着《后天》《阿凡达》之流所谓“内涵深刻”电影长大的一代人,他的儿子对这部电影表示很震惊:“太简洁了。他做了这么少,却表现出那么多。”没有比这句简单话更适合评价 I still remember a few days ago reading the memory essay “Memories of Hut” before the American historian Tony Jurt, referring to a passage. He took his 12-year-old son to see Francois Truffaut’s classic film “Four Hundred Strike” shot in 1959. What he did not realize was that his son, a generation who grew up watching the so-called “profound” film of “acquired” “Avatar,” was shocked by the movie: “Too brief. To do so few, but showed so much. ”There is no more suitable for this simple sentence evaluation