在现代派诗潮迅猛发展的20世纪30年代,中国广大诗歌读者接触最为密切的属“朦胧诗”和象征派作品。因此如何将抽象的作品以简洁的形式再现其美感,是采用中国古代传统批评方式还是采用西方新批判方式进行解诗,成为当时文学界争议的话题。作为新旧文化交替时代的诗人和学者,朱自清先生结合中 In the 1930s, with the rapid development of modernist poetry, the vast majority of Chinese poetry readers came into close contact with “misty poems” and symbolic works. Therefore, how to reproduce the beauty of abstract works in concise form has become the topic of controversy in literary circles at that time by adopting the ancient Chinese traditional methods of criticism or adopting the new western criticism methods. As a poet and scholar of the age of new and old cultures, Mr. Zhu Ziqing combined