“超故事层”与“次故事层”:双层结构带来的歧义可能首先从结构上来看,这篇小说采用了近似薄伽丘《十日谈》的“框架式”结构。瑞蒙·科南讲述了构成这种结构的方法:“一个人物的行动是叙述的对象,可是这个人物也可以反过来叙述另一个故事。在他讲的故事里,当然还可以有另一个人物叙述另外一个故事,如此类推,以致无限。这些故事中的故事就形成了层次。”[1]并可以分为“超故事层”和 “Super Story Layer ” and “Secondary Story Layer ”: The ambiguity brought by the double-layer structure may first of all be structurally based on the “frame-like” “structure. Raymond Cornannale describes the ways in which this structure is made: ”A person’s actions are the object of narration, but the person can also tell the other story in reverse. In his story, of course, there can be another The character narrates another story, and so on, so unlimited that the stories in these stories form a hierarchy. “[1] And can be divided into” hyper story layers "and