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现当代诗词可否进入现当代文学史,是我国现当代文学研究中一个很有争议的问题。不仅由来已久,而且争议颇大。通过对现当代诗词在“现代文学性”、“文学经典化”、“语体形式”、“学术压迫”、“不宜提倡”以及是否已经进入“死亡之旅”、是否能够被“替代”等7个方面,进行全方位的观点阐述,与唐弢、钱理群、王富仁、王泽龙、陈国恩等教授进行客观的商榷与讨论,首次提出了对旧诗应该消除“艺术歧视”以期与新诗“和谐共存”的观点,以期为当代的诗人词家们争取到基本的“艺术尊严”。
Whether contemporary poetry can enter the history of modern and contemporary literature is a controversial issue in the study of modern and contemporary Chinese literature. Not only has a long history, but also a lot of controversy. Through the analysis of the contemporary poetry in “modern literary ”, “literary classic ”, “style of language ”, “academic oppression ”, “should not advocate ” and has entered “death Journey ”, whether it can be “ substitution ”and other seven aspects, a comprehensive view of the point of view, and Tang Tao, Qian Liqun, Wang Furen, Wang Zelong, Professor Chen Guoen objective discussion and discussion for the first time put forward The old poem should eliminate the view of “art discrimination” in order to “coexist harmoniously” with the new poem in order to win the basic “dignity of art ” for contemporary poets and Ci writers.